First published by CUP in 1989, The Medieval Greek Romance provides basic information for the non-specialist about Greek fiction during the period 1071-1453, as well as proposing new solutions to problems that have vexed previous generations of scholars. Roderick Beaton applies sophisticated methods of literary analysis to the material, and the bridges of the artificial gap which has separated `Byzantine'litera ture, in a form of ancient Greek as both homogenous and of a high level of literary sophistication. Throughout, consideration is given to relations and interconnections with similar literature in western Europe. As most of the texts discussed are not available in English translation, the argument is illustrated by lucid plot summaries and extensive quotation (accompanied by literal... Less

Empire of Magic offers a genesis and genealogy for medieval romance and the King Arthur legend through the history of Europe's encounters with the East in crusades, travel, missionizing, and empire formation. It also produces definitions of "race" and "nation" for the medieval period and posits that the Middle Ages and medieval fantasies of race and religion have recently returned.Drawing on feminist and gender theory, as well as cultural analyses of race, class, and colonialism, this provocative book revises our understanding of the beginnings of the nine hundred-year-old cultural genre we call romance, as well as the King Arthur legend. Geraldine Heng argues that romance arose in the twelfth century as a cultural response to the trauma and horror of taboo acts -- in particular the... Less

Store Search search Title, ISBN and Author The Book of Romance Estimated delivery 3-12 business days Format Paperback Condition Brand New 1902. While best known for his translations of classical literature and as a collector of folk and fairy tales, Lang also wrote poetry, biographies, histories, novels, literary criticisms and even children s books. Lang describes romances as a mixture of popular tales, of literary invention and of history as transmitted in legend and in his opinion are only f

Popular romance was one of the most wide-spread forms of literature in the middle ages, yet despite its cultural centrality, and its fundamental importance for later literary developments, the genre has defied precise definition, its subject matter ranging from tales of chivalric adventure, to saintly women, and monsters who become human. The essays in this collection seek to provide an inclusive and thorough examination of romance. They provide contexts, definitions, and explanations for the genre, particularly in, but not limited to, an English context. Topics covered include genre and literary classification; race and ethnicity; gender; orality and performance; the romance and young readers; metre and form; printing culture; and reception. CONTRIBUTORS: ROSALIND FIELD, RALUCA L... Less

Empire of Magic offers a genesis and genealogy for medieval romance and the King Arthur legend through the history of Europe's encounters with the East in crusades, travel, missionizing, and empire formation. It also produces definitions of "race" and "nation" for the medieval period and posits that the Middle Ages and medieval fantasies of race and religion have recently returned.Drawing on feminist and gender theory, as well as cultural analyses of race, class, and colonialism, this provocative book revises our understanding of the beginnings of the nine hundred-year-old cultural genre we call romance, as well as the King Arthur legend. Geraldine Heng argues that romance arose in the twelfth century as a cultural response to the trauma and horror of taboo acts -- in particular the... Less

The cultural and social power of women in the middle ages is perhaps hard to trace, with evidence for it scarce. This book argues that medieval romances provide a central, but under-explored, source for and examples of such authority. By reassessing the influence exerted by female characters, in a spectrum that includes both intellectual and chivalric aid and, in some cases, patronage, it considers how they functioned as models of cultural, intellectual, and social authority in medieval literary texts. In addition to examples set by the family connections, socio-political networks, and textual communities in which they lived, this study argues that women also learned methods of influence from the books they read. In texts like Troilus and Criseyde and Partonope of Blois, the female reader... Less

These studies cover a wide chronological range and familiar and unfamiliar texts and topics. The disguised prince is a theme linking several articles,from early Anglo-Norman romances through later English ones, like King Edward and the Shepherd, to a late 16th-century recasting of the Havelok story as a Tudor celebration of Gloriana. 'Translation' in its widest sense, the way romance can reinvent stories for different tastes and periods,is another running theme; the opening introductory article considers the topic of translation theoretically, concerned to stimulate further research on how insular romances were transferred between vernaculars and literary systems, while other essays consider Lovelich's Merlin (a poem translating its Arthurian material to the poet's contemporary London... Less

Once upon a time, the universe was much simpler: before our modern understanding of an infinite formless space scattered with pulsating stars, revolving planets, and mysterious black holes, the universe was seen as a rigid hierarchical system with the earth and the human race at its center. Medieval Views of the Cosmos investigates this worldview shared by medieval societies, revealing how their modes of thought affect us even today.In the medieval world system—inherited by Christians and Muslims from the Greeks and Romans, and modified by their own religious tenets—spheres bearing the planets and stars wheeled around the earth, and at every level there was a moral lesson for humanity and a satisfying metaphor for the nature of God. The authors of this volume explain how the medieval view... Less

While love is private, and in medieval literature especially is seen as demanding secrecy, to tell stories about it is to make it public. Looking, often accompanied by listening, is the means by which love is brought into the public realm and by which legal evidence of adulterous love can be obtained. Medieval romances contain many scenes in which secret watchers and listeners play leading roles, and in which the problematic relation of sight to truth is a central theme. The effect of such scenes is to place the poem's audience as secret watchers and listeners; and in later medieval narratives, as the role of the storyteller comes to be realized, the poet too sees himself in the undignified role of a voyeur. A. C. Spearing's book explores these and related themes, first in relation to... Less

The book The Medieval Empire of the Israelites pertains to the bloc of historical literature on the reconsideration of history that was started in the beginning of the ‘90s by Dr. Anatoly Fomenko. Our book proposes to the reader an in-depth analysis of ancient and early medieval events and a new original reconstruction of world history. The book's name, The Medieval Empire of the Israelites reflects its main idea. In the opinion of the authors, the first empire in the history of mankind was formed in the Middle Ages under the name Israel, in which monotheism and proto-Judaism became the predominant religion. The authors have succeeded in drawing up their own original concept thanks to the works of many of history’s revisionists, who have shown convincingly that the history known to... Less

This Companion presents fifteen original and engaging essays by leading scholars on one of the most influential genres of Western literature. Essays on the origins of romance in French and English courts are complemented by articles that trace the transmission and evolution of these stories throughout Europe. The volume provides a clear introduction for students and fresh perspectives for scholars on topics ranging from manuscripts to gender roles in chivalry and courtly love. An introduction, a chronology and a bibliography of texts and translations complete this lively, useful overview.

When Sylvester, the Duke of Salford, first meets Phoebe Marlow, he finds her dull and insipid. She finds him insufferably arrogant....

Deftly written and beautifully illustrated, The Worlds of Medieval Europe, Second Edition, presents a distinctive and nuanced portrayal of a western world that was sharply divided between its northern and southern aspects. By integrating the histories of the Islamic and Byzantine worlds into the main narrative, author Clifford R. Backman offers an insightful, detailed, and often witty look at the continuum of interaction-- social, cultural, intellectual, and commercial--that existed among all three societies. Filled with relevant primary documents, this compelling volume surpasses traditional textbook representations of the Middle Ages by balancing the conventional focus on political affairs, especially those of northern Europe, with equally detailed attention to medieval society as it... Less

The book The Medieval Empire of the Israelites pertains to the bloc of historical literature on the reconsideration of history that was started in the beginning of the ‘90s by Dr. Anatoly Fomenko. Our book proposes to the reader an in-depth analysis of ancient and early medieval events and a new original reconstruction of world history. The book's name, The Medieval Empire of the Israelites reflects its main idea. In the opinion of the authors, the first empire in the history of mankind was formed in the Middle Ages under the name Israel, in which monotheism and proto-Judaism became the predominant religion. The authors have succeeded in drawing up their own original concept thanks to the works of many of history’s revisionists, who have shown convincingly that the history known to... Less

There have been numerous studies in recent decades of the medieval inquisitions, most emphasizing larger social and political circumstances and neglecting the role of the inquisitors themselves. In this volume, Karen Sullivan sheds much-needed light on these individuals and reveals that they had choices—both the choice of whether to play a part in the orthodox repression of heresy and, more frequently, the choice of whether to approach heretics with zeal or with charity.            In successive chapters on key figures in the Middle Ages—Bernard of Clairvaux, Dominic Guzmán, Conrad of Marburg, Peter of Verona, Bernard Gui, Bernard Délicieux, and Nicholas Eymerich— Sullivan shows that it is possible to discern each inquisitor making personal, moral choices as to what course of action he... Less

The cultural and social power of women in the middle ages is perhaps hard to trace, with evidence for it scarce. This book argues that medieval romances provide a central, but under-explored, source for and examples of such authority. By reassessing the influence exerted by female characters, in a spectrum that includes both intellectual and chivalric aid and, in some cases, patronage, it considers how they functioned as models of cultural, intellectual, and social authority in medieval literary texts. In addition to examples set by the family connections, socio-political networks, and textual communities in which they lived, this study argues that women also learned methods of influence from the books they read. In texts like Troilus and Criseyde and Partonope of Blois, the female reader... Less

Electronics Cameras Computers Software Housewares Sports DVDs Music Books Games Toys in titles descriptions Company Info |Checkout Info |Shipping Info |Return Policy |FAQ's Add us as a favorite seller By continuing with your purchase using the eBay Buy It Now button, you agree to the Buy Terms of Use at http://stores.ebay .com/Buys- Internet- Superstore/Terms. html . Medieval Romance: Themes and Approaches - Stevens, John E. THIS IS A BRAND NEW UNOPENED ITEM. Buy SKU: 206662985 If you want addition

Gregory Heyworth’s Desiring Bodies considers the physical body and its relationship to poetic and corporate bodies in the Middle Ages and Renaissance. Beginning in the odd contest between body and form in the first sentence of Ovid’s protean Metamorphoses, Heyworth identifies these concepts as structuring principles of civic and poetic unity and pursues their consequences as refracted through a series of romances, some typical of the genre, some problematically so. Bodies, in Ovidian romance, are the objects of human desire to possess, to recover, to form, or to violate. Part 1 examines this desire as both a literal and socio-political phenomenon through readings of Marie de France’s Lais, Chrétien de Troyes’ Cligès and Perceval, and Chaucer’s Canterbury Tales, texts variously expressing... Less

In this study the degrees by which fiction could be related to truth and the mores existing against untruth are shown to be part of the active and surprisingly modern discussion of the nature of fiction that occurred in the 12th and 13th centuries when the first romances were written. Green (emeritus, German, U. of Cambridge, UK) explores these and other issues of fictionality in Wolfram von Eschenbach's Parzival , the work of ChrTtien de Troyes, the MatiFre de Rome , and the MatiFre de Bretagne , among others. Annotation c. Book News, Inc., Portland, OR (booknews.com)

The Nature of a Man is a reflective perspective of Alicia Forrester, a woman who is desperately seeking the love she lost as a child. Despite her magnificent beauty, despite her success, her view of the woman in the mirror is one of disappointment, darkness and despair. Her lack of self-love and her efforts to find it through the heart of a man lead her down the dark path of promiscuity, betrayal and murder. She spends a lifetime battling the temptation of suicide. One day, the temptation becomes too great and she decides it is better to die in shame than to live in pain. She is found by her friends, characters from The Office Girls and The Nature of a Woman, and is rescued from herself. She makes several other suicidal attempts until she unwillingly confronts the source of pain that has... Less

The fifth volume of this annual series features several articles examining the interaction of medieval romance with textiles and clothing. French Gothic ivory carvings illustrating courtly romances reveal details of fashionable dress; the distinct languages of narrative poetry and Parisian tax records offer contrasting views of medieval embroiderers; and scenes from the Tristan legend provide clues to the original form of the earliest surviving decorative quilt. Other papers look at ecclesiastical attempts to restrict extravagance in secular women's dress, the use of clothing references to signal impending conflict in Icelandic sagas, the development and possible construction of the Tudor-era court headdress called the French hood, and the way Cesare Vecellio drew on both existing artwork... Less

The world of medieval romance is one in which magic and the supernatural are constantly present: in otherwordly encounters, in the strange adventures experienced by questing knights, the experience of the uncanny, and unexplained magical objects - rings, potions, amulets, and the famous green girdle in Sir Gawain and the Green Knight. This study (the first full-length treatment of the topic) looks at a wide range of medieval English texts - not just the romances themselves, but the writings of Chaucer, and Malory's Morte Darthur too - from a broad cultural perspective, to show that while they employ magic in order to create exotic, escapist worlds, they are also grounded in a sense of possibility, and reflect a complex web of inherited and current ideas. Opening with a survey of classical... Less

The Middle Ages, with its crude reality and mystery, often enveloped in an air of religious and occasionally even mythical or fantastic mysticism, has always been one of the preferred themes of historians and history lovers in general. Since the end of the Roman Empire, with its manipulative tactics in which the infantry was the deciding factor in battles, the cavalry became the main player on the battlefields all over Europe, replacing other forms of weaponry and becoming important though not yet decisive factors in battle. It could be said that an army with a good cavalry had the advantage in battle.With the appearance of feudalism, in many cases, the knights became real warlords, with the corresponding legal and military obligations towards the lords they served, carrying out acts of... Less

'An excellent book and a delight to read, written with panache and entirely convincing.' Professor PETER COSS, Cardiff University. This book takes us into the world of the medieval cook, from the chefs in the great medieval courts and aristocratic households catering for huge feasts, to the peasant wife attempting to feed her family from scarce resources, from cooking at street stalls to working as hired caterers for private functions. It shows how they were presented in the art, literature and moral commentary of the period (valued on some grounds, despised on others), how they functioned, and how they coped with the limitations and the expectations which faced them in different social settings. Particular use is made of their frequent appearance in the margins of illuminated... Less

The fifth volume of this annual series features several articles examining the interaction of medieval romance with textiles and clothing. French Gothic ivory carvings illustrating courtly romances reveal details of fashionable dress; the distinct languages of narrative poetry and Parisian tax records offer contrasting views of medieval embroiderers; and scenes from the Tristan legend provide clues to the original form of the earliest surviving decorative quilt. Other papers look at ecclesiastical attempts to restrict extravagance in secular women's dress, the use of clothing references to signal impending conflict in Icelandic sagas, the development and possible construction of the Tudor-era court headdress called the French hood, and the way Cesare Vecellio drew on both existing artwork... Less

Store Search search Title, ISBN and Author The Valley of Vision; a Book of Romance by Henry Van Dyke Estimated delivery 3-12 business days Format Paperback Condition Brand New The book has no illustrations or index. Purchasers are entitled to a free trial membership in the General Books Club where they can select from more than a million books without charge. Subjects: Fiction / Romance / Short Stories; Fiction / Short Stories; Fiction / Literary; Fiction / Religious; Fiction / Christian / Gene

The fifth volume of this annual series features several articles examining the interaction of medieval romance with textiles and clothing. French Gothic ivory carvings illustrating courtly romances reveal details of fashionable dress; the distinct languages of narrative poetry and Parisian tax records offer contrasting views of medieval embroiderers; and scenes from the Tristan legend provide clues to the original form of the earliest surviving decorative quilt. Other papers look at ecclesiastical attempts to restrict extravagance in secular women's dress, the use of clothing references to signal impending conflict in Icelandic sagas, the development and possible construction of the Tudor-era court headdress called the French hood, and the way Cesare Vecellio drew on both existing artwork... Less

This is a thoroughly revised edition of Glynne Wickham's important history of the development of dramatic art in Christian Europe. Professor Wickham surveys the foundations on which this dramatic art was built: the architecture, costumes and ceremonial of the imperial court at Byzantium, the liturgies of countires in the Eastern and Western Empires and the triumph of the Roman rite and the Romanesque style in Western art. Within this context Professor Wickham describes three major influences upon the drama: religion, recreation and commerce. The first produced the liturgical music drama rooted in praise of Christ the King, vernacular Corpus Christi drama, Saint Plays and Moralities centred on the humanity of Christ. The second gave rise to the secular theatres of social recreation based... Less